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When I was a child, I used to hope my fairy-stories were true. Since reaching years of discretion, I have preferred acknowledged fiction. This inconsistency, however, is probably rather apparent than real. Experience has taught me that the greater the fairy-story the less the truth; and contrariwise, that the greater the truth the less the fairy-story. In other words, the artistic graces of romance are irreconcilable with the crude straightforwardness of fact. The idealism of childhood, believing that all that is most beautiful must on that very account be most true, clamors accordingly for truth. The knowledge of maturity, which has discovered that nothing that is true (in the sense of being existent) can be beautiful, deprecates truth beyond everything. What happens, we find, is never what ought to happen; nor does it happen in the right way or season. In palliation of this hardship, the sublime irony of fate grants us our imagination, wherewith we create little pet worlds of poetry and romance, in which everything is arranged in neat harmonies and surprises, to gratify the scope of our little vision. The actual world, the real universe, may, indeed, be picturesque and perfect beyond the grandest of our imaginative miniatures; but since the former can be revealed to us only in comparatively infinitesimal portions, the miniatures still have the best of it.

Architects of Fate, or, Steps to Success and Power is a book of inspiration to character-building, self-culture, to a full and rich manhood and womanhood, by most invigorating examples of noble achievement.

“The history, the features, and the most famous examples of European architecture, during a period extending from the rise of the Gothic, or pointed, style in the twelfth century to the general depression which overtook the Renaissance style at the close of the eighteenth, form the subject of this little volume. I have endeavoured to adopt as free and simple a mode of treatment as is compatible with the accurate statement of at least the outlines of so very technical a subject.” -Preface

They, who to states and governors of the Commonwealth direct their speech, High Court of Parliament, or, wanting such access in a private condition, write that which they foresee may advance the public good; I suppose them, as at the beginning of no mean endeavour, not a little altered and moved inwardly in their minds: some with doubt of what will be the success, others with fear of what will be the censure; some with hope, others with confidence of what they have to speak. And me perhaps each of these dispositions, as the subject was whereon I entered, may have at other times variously affected; and likely might in these foremost expressions now also disclose which of them swayed most, but that the very attempt of this address thus made, and the thought of whom it hath recourse to, hath got the power within me to a passion, far more welcome than incidental to a preface.

Aristotle’ is critical work on the ancient Greek scientist and philosopher Aristotle by English political radical and classical historian George Grote.

The following Translation of Aristotle’s History of Animals has been made from the text of Schneider. In a work of considerable difficulty it is hardly possible entirely to avoid errors; but it is hoped that those which have escaped are neither numerous nor important. The notes of Schneider have been consulted throughout; and in places of difficulty the English translation by Taylor, the French of Camus, and the German of Strack, have been severally referred to.
The work itself is the most ancient and celebrated contribution to science which has come down to us; and it is hardly possible, when we consider the means of observation which were accessible at the time, to imagine a work of more accurate observation. From the numerous quotations in which our author avails himself of the experience of his predecessors in the same field, as well as corrects their errors, there can be no doubt that Aristotle had the advantage of many works which have perished in the lapse of ages. In the Appendix to the present Translation will be found the Essay of Schneider on the sources whence Aristotle derived his knowledge of the animals he describes; and these sources, together with his own accurate observations, are probably sufficient to account for the correct knowledge of the history of animals displayed throughout the work.

The present book title ‘Arms and the Woman’ was written by the famous American novelist, screen writer and short story writer Harold MacGrath. It was first published in the year 1899.

The present book ‘Army Life in a Black Regiment’ was written by Thomas Wentworth Higginson. It gives a description of the life in an army regiment of black Americans. It was first published in the year 1886.

Around the World in Eighty Days by Jules Verne tells of an amazing journey because of a really big bet. Ruthless Phileas Fogg lies, cheats, and does whatever he has to do to prove he can get around the world in 80 days.

First published in 1925, ‘Arrowsmith’ is a novel by American author Sinclair Lewis. It is arguably the earliest major novel to deal with the culture of science. It was written in the period after the reforms of medical education flowing from the Flexner Report on Medical Education in the United States and Canada: A Report to the Carnegie Foundation for the Advancement of Teaching, 1910, which had called on medical schools in the United States to adhere to mainstream science in their teaching and research.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio, 1623.