Classic Books

St. Leon’ is the tale of a French aristocrat, Count Reginald de St. Leon, who loses his wealth gambling and experiences guilt that drives him almost to madness. He accepts, from a dying stranger, the gift of the secret of the elixir of life and of the power of multiplying wealth, and consequently is forced to wander separated from humankind.

You are to know that stained glass means pieces of coloured glasses put together with strips of lead into the form of windows; not a picture painted on glass with coloured paints.

You know that a beer bottle is blackish, a hock bottle orange-brown, a soda-water bottle greenish-white—these are the colours of the whole substance of which they are respectively made.

When a college man’s good fairy makes her first call at his cradle, she may bestow upon him the football instinct, with muscles to match; no fairy could do more. But if she bumps up against Heredity, and is powerless to give him the supreme gift, she may compensate for it in a degree by leaving the kind of larynx and tympanum used in the Glee Club. Failing this, she may render next best service by throwing a mandolin in his way and bewitching his parents into paying for lessons. Some twenty years later, behind the enchanted scenes of a specially hired theater, or on the polished floor of society’s inner temple, he may think of the fairy kindly.

The Statesman, also known by its Latin title, Politicus, is a Socratic dialogue written by Plato. The text depicts a conversation among Socrates,

James Gordon Bennett: We left New York amid the huzzas of friends, who bade us a most affectionate adieu. The passengers are from every section of the Union. There are men of talent and high integrity among us. The emigrants in the Crescent City have never been excelled, always excepting the Pilgrim Fathers. On leaving the Pier, I noticed but two females, who waved their handkerchiefs most gracefully, and imparted their sweetest smiles. -an excerpt

For two years it had been notorious in the square that Sam’l Dickie was thinking of courting T’nowhead’s Bell, and that if Little Sanders Elshioner (which is the Thrums pronunciation of Alexander Alexander) went in for her, he might prove a formidable rival. Sam’l was a weaver in the tenements, and Sanders a coal-carter, whose trade-mark was a bell on his horse’s neck that told when coal was coming. Being something of a public man, Sanders had not, perhaps, so high a social position as Sam’l, but he had succeeded his father on the coal-cart, while the weaver had already tried several trades. It had always been against Sam’l, too, that once when the kirk was vacant he had advised the selection of the third minister who preached for it on the ground that it became expensive to pay a large number of candidates.

Do I know why Tom Donahue is called “Lucky Tom”? Yes, I do; and that is more than one in ten of those who call him so can say. I have knocked about a deal in my time, and seen some strange sights, but none stranger than the way in which Tom gained that sobriquet, and his fortune with it. For I was with him at the time. Tell it? Oh, certainly; but it is a longish story and a very strange one; so fill up your glass again, and light another cigar, while I try to reel it off. Yes, a very strange one; beats some fairy stories I have heard; but it’s true, sir, every word of it. There are men alive at Cape Colony now who’ll remember it and confirm what I say. Many a time has the tale been told round the fire in Boers’ cabins from Orange state to Griqualand; yes, and out in the bush and at the diamond-fields too.

The 10:15 train glided from Paddington May 7, 1847. In the left compartment of a certain first-class carriage were four passengers; of these two were worth description. The lady had a smooth, white, delicate brow, strongly marked eyebrows, long lashes, eyes that seemed to change colour, and a good-sized, delicious mouth, with teeth as white as milk. A man could not see her nose for her eyes and mouth; her own sex could, and would have told us some nonsense about it. She wore an unpretending grayish dress, buttoned to the throat with lozenge-shaped buttons, and a Scottish shawl that agreeably evaded colour.

Frequently I have to ask myself in the street for the name of the man I bowed to just now, and then, before I can answer, the wind of the first corner blows him from my memory. I have a theory, however, that those puzzling faces, which pass before I can see who cut the coat, all belong to club waiters.

The present book ‘Stories by English Authors: The Orient’ is a compandium of six best works of six of the most famous and critically acclaimed writers in the English language, including Rudyard Kipling, Miss Mitford, RK Douglas, Mary Beaumont, Morley Roberts and Netta Syrett.

The man whose story is here to be told was the wealthiest and most influential person in his parish; his name was Thord Overaas. He appeared in the priest’s study one day, tall and earnest.

“I have gotten a son,” said he, “and I wish to present him for baptism.”

“What shall his name be?”

“Finn,—after my father.”

“And the sponsors?”

Now we are about to begin, and you must attend; and when we get to the end of the story, you will know more than you do now about a very wicked hobgoblin. He was one of the worst kind; in fact he was a real demon. One day he was in a high state of delight because he had invented a mirror with this peculiarity, that every good and pretty thing reflected in it shrank away to almost nothing. On the other hand, every bad and good-for-nothing thing stood out and looked its worst. The most beautiful landscapes reflected in it looked like boiled spinach, and the best people became hideous, or else they were upside down and had no bodies.

The present book ‘Stories from Tagore’ is a collection of celebrated classic Indian writer, poet, philosopher Rabindranath Tagore, translated in English to introduce children to best of the Indian literature. this volume was first produced and published in the year 1918.

This collection, carefully used by parents and teachers with due reference to individual tastes and needs, will make many children enjoy good literature. It will inspire them with a love of good reading, which is the best possible result of any elementary education. The Junior Classics constitute a set of books whose contents will delight children and at the same time satisfy the legitimate ethical requirements of those who have the children’s best interests at heart.

Included in this collection are The Ghost – William D. O’Connor, The Four-Fifteen Express – Amelia B. Edwards, The Signal-Man – Charles Dickens, The Haunted Ships – Allan Cunningham, A Raft That No Man Made – Robert T.S. Lowell, The Invisible Princess – Francis O’Connor, The Advocate’s Wedding-Day – Catherine Crowe, and The Birthmark -Nathaniel Hawthorne.

stories of Robin Hood in a lively retelling that chronicles the events of the time in which Robin Hood lived. Describes how and why he came to live in the Green Wood, and the adventures he had there with Little John, Maid Marian, and the Sheriff of Nottingham. Selections from the original ballads are woven into the story. A delightful introduction to these stories for children ages 8 and up

In recognition of this fact, these true stories, selected from Wisconsin’s history, have been written as a means to the cultivation of civic patriotism among the youth of our commonwealth. It is not the purpose of the book to present a continuous account of the development of the State; for this, the author begs to refer to his larger work, “The Story of Wisconsin” (in the Story of the States Series). Rather is it desired to give selections from the interesting and often stirring incidents with which our history is so richly stored, in the hope that the reader may acquire a taste for delving more deeply into the annals of the Badger State.

Stories that never grow old. The Junior Classics constitute a set of books whose contents will delight children and at the same time satisfy the legitimate ethical requirements of those who have the children’s best interests at heart. Beautifully illustrated.

Now we have little left but stories of our fathers. They, too, will soon be lost and forgotten, but a voice has come to speak for us. Yeh sen noh wehs—the one who tells the stories—will carry these stories of our fathers to Paleface. She will help White man to understand Indian, Indian to be understood. She will have all men brothers.

Indian’s heart is glad that Yeh sen noh wehs, our white friend, has come to us. She have good eyes. She see right. She like things Indian. She try to preserve them. Our old men and women tell her the stories told them, many, many moons ago, when little children.

Struwwelpeter: Merry Stories and Funny Pictures’ is a German children’s book by Heinrich Hoffmann. It was first published in the year 1845. It comprises ten illustrated and rhymed stories, mostly about children. Each has a clear moral that demonstrates the disastrous consequences of misbehavior in an exaggerated way. The title of the first story provides the title of the whole book. It is one of the earliest books for children that combines visual and verbal narratives in a book format, and is considered a precursor to comic books.

Studies in Classic American Literature is a work of literary criticism by the English writer D. H. Lawrence. It was first published by Thomas Seltzer in the United States in August 1923.

This volume presents some results of the work done in the matter of logical theory in the Department of Philosophy of the University of Chicago in the first decade of its existence. The eleven Studies are the work of eight different hands, all, with the exception of the editor, having at some period held Fellowships in this University, Dr. Heidel in Greek, the others in Philosophy. Their names and present pursuits are indicated in the Table of Contents. The editor has occasionally, though rarely, added a footnote or phrase which might serve to connect one Study more closely with another. The pages in the discussion of Hypothesis, on Mill and Whewell, are by him. With these exceptions, each writer is individually and completely responsible for his own Study.

Stephen Alexander Hunter’s ‘Studies in the Book of Revelation’ provides clear and accurate results of the investigation of modern scholars, in language which is comprehensible to the intelligent reader of the English Bible. The Revelation of St. John has been an enigma from the earliest Christian centuries. On the one hand, it has been shunned because of its mysteriousness; on the other, it has been discredited for sober-minded, intelligent Christians by the absurd vagaries of its interpreters.

The following Studies are not a complete treatise on child-psychology, but merely deal with certain aspects of children’s minds which happen to have come under my notice, and to have had a special interest for me. In preparing them I have tried to combine with the needed measure of exactness a manner of presentation which should attract other readers than students of psychology, more particularly parents and young teachers.
A part of these Studies has already appeared elsewhere. The Introductory Chapter was published in the Fortnightly Review for November, 1895. The substance of those from II. to VIII. has been printed in the Popular Science Monthly of New York. Portions of the “Extracts from a Father’s Diary” appeared in the form of two essays, one on “Babies and Science” in the Cornhill Magazine in 1881, and the other on “Baby Linguistics” in the English Illustrated Magazine in 1884. The original form of these, involving a certain disguise—though hardly one of impenetrable thickness—has been retained. The greater part of the study on “George Sand’s Childhood” was published as two articles in Longmans’ Magazine in 1889 and 1890.

Originally published in 1873. This book is a republication of the revised and enlarged edition from 1920. A comprehensive study of the Greek poets and their enormous and important contribution to literature. Every aspect of their work is discussed in detail.